Diskuse
Téma: for infernal
Seznam příspěvků:
Re:
díky.....hmm,hmmm.....mám dojem že podobné hlavice používal kdysi i Krammer....asi to bude grafit nebo hliník
Re: infernal
ne, neni to drevo, ty kytary maji kompletne celej krk z hliniku (proto jsou konstrukcne zajimavy) a hmatnik z nejakyho recyklovanyho materialu... popisujou tam dokonce, ze cast konstrukce je prevzata z nejakych starych Krameru ci co...
Re:
tak me napada: pisou tam, ze diky tomu hlinikovymu krku to ma lepsi sustain a tak podobne... ja bych tomu hliniku zas tak moc neveril, dyt je to takovy spis blato a prenaseni vibraci hlinikem mi nejak nejde do hlavy... co vy na to?
Re: z28
No neviem ako to bude s prenosom vibrácii, ale určite odpadá problém s prehnutím krku :-)))
Re: z28
tak jsem se teda trefil do černého....akorát jsem potom v popisu nějak našel spíš dřevo
Re: waffler
o tom že studily - to bylo asi v knize "Vše o kytarách" nebo tak nějak, taky jsem to tam zahlédl :-))
Re: z28
BODY WOOD: EUROPEAN LIME WOOD
NECK: VACCARO 25 -1/2" SCALE V-NECK, FIGURED WOOD NECK SLEEVE, MEDIUM DUNLOP FRETWIRE, EBONOL FRETBOARD, DIAMOND
INLAYS
TUNERS: SPERZEL NON LOCKING
BRIDGE: SCHALLER TUNEAMATIC STYLE BRIDGE AND SCHALLER FINE
TUNE STOP TAIL
PICK UPS: 2 VACCARO NICKEL COVERED THRUSTERS HUMBUCKING)
CONTROLs: TWO VOLUMES - ONE TONE - ONE 3-WAY
STRINGS: D'ADDARIO 10'S
Re: infernal
tak si poradne prohlidni tu stranku, treba se podivej co to znamena ten V-neck... jsou tam tuny kecu o tom jak je ten hlinik sqelej, stabilni, jak lip prenasi vibrace, jak je tam lepsi nultej prazec atd... jinak ten hlinik je zvenku zakrytej ockovym javorem (asi kvuli tomu stuzeni)
Re: z28
říkám, že jsem si od začátku předpokládal, že je to hliník, ale proč to tedy nenapíšou do popisu : třeba Aluminium V-neck.....
jo, teď se dívám že u V-necku je podrobny popis a tam to maji napsano...
Re:
ja sem ted dumal kde sem tu hlavici uz videl. John Deacon hral na basu s takovou hlavici! newite nekdo co to bylo za nastroj?
Re: majk
HA! Nasel sem, ze to byl KRAMER (infernal mel pravdu!):
http://members.aol.com/KramerKrzy/story.html
... The woods of choice for these first guitars were fancy woods along the lines of burled walnut, maple, and koa with optional tropical woods of shedua, bubinga, afrormosia, and swetenia. The original guitars and basses were much like the Travis Beans, but had many differences with the main one being the construction of the neck and body. The aluminum necks were bolt-ons, had a different headstock design shaped like a tuning fork, and had wood inserts in the back of the necks, whereas the bodies were solid chunks of wood and lacked the Bean’s receiver of aluminum tying the pickups and bridge together with the neck in one piece. The necks also sported a “zero” fret to help eliminate intonation problems in the open position. The wood inserts in the rear of the neck were to lower the overall weight of the guitar, give it better balance, and give it the “feel” of a traditional, wood neck guitar. The fretboard had an interesting item to note, and this is that the fretboard was not wood. It was made of “Ebonol”, a patented bowling ball material that was guaranteed not to chip, crack, warp, or have any of the other problems associated with standard wood necks.......
Re:
Ze by ten Vaccaro byl nakonec pohrobek Kramera??? Evidentne se jedna o stejnou konstrukci...
Re: infernal
jj, presne tak... Gibson koupil v koreji fabriku a aby mel nejakou znacku, tak koupil Kramera...